Showing posts with label podcast. Show all posts
Showing posts with label podcast. Show all posts

Thursday, September 27, 2012

Podcast of Danny Ain't is complete

Danny Ain't is now up and running on iTunes.  You can download it for free.  Go to iTunes, search for "Joe Cottonwood Danny" and you'll find it.

Danny is hungry.  Danny is a boy living alone who is befriended by a couple of coyotes.  Coyotes are tricksters.  Coyotes are clever survivors.  So is Danny.

Though the book was published way back in 1992, the themes of hardship and survival seem as if they were written for the present day.  It's a "children's book" that is secretly enjoyed by many adults.


I hope you like it.

Monday, September 17, 2012

Danny Ain't on YouTube

Audiobooks on YouTube? Well, yeah.  Lots of people listen to music on YouTube, much of it displaying nothing but a static album cover.  So why not a book?

It's an experiment.  While my podcast host, podiobooks.com has been down for a few days (making all my podcasts temporarily inaccessible, even from iTunes —sorry), I started thinking about YouTube as an alternative.

Here's the result:

Episode 01

and Danny Ain't, episode 02:



If feedback is good, I'll upload the rest of the episodes.  Please — let me know what you think.

And good news: podiobooks is now back on the air, and so are my podcasts.  I'll upload the Danny Ain't podcast this week and let everybody know when it's ready for downloading.  Or you can get an advance listen on YouTube.

The images, by the way, are various versions of the bookcover, ranging from the original hardback edition to sketches for an ebook cover through various stages.  The two versions of coyotes on a hillside are by the wonderful Chartan, while the final ebook version is by Melody Pilotte.  Then there's a photo of Will Fourt, the singer on the intro and outro.  At the end there's an old photo of myself from the original Danny Ain't bookjacket, which was published in 1992.

Sunday, August 26, 2012

How to lie with statistics

When you talk about book sales, you don't say "I've sold a million chapters of my novel."  You say, "I've sold twenty thousand books," (which each contain 50 chapters).  That seems pretty obvious. 

Last week a newspaper article about one podcast author stated that "his fans have downloaded more than 15 million episodes."  Recently I stated that my podcasts have reached about 60,000 listeners.  Now I feel puny.

Size matters.

But journalists are easily fooled.  That podcast author with his 15 million downloads has about a dozen serialized novels that contain anywhere from 20 to 40 episodes, so a listener who wants to hear one complete novel has to download 20 to 40 separate times.  Thus, 40 downloads might equal one listener.  15 million downloads amounts to, at most, 500,000 listeners — which in the subculture of serialized audiobook podcasting is still a goodly sum.

Downloads, listeners.  Apples, oranges.  Chapters, books.  Episodes, podcast novels.

For the record, my podcast novels contain anywhere from 11 episodes (Boone Barnaby) to 32 (Clear Heart).  I'm approaching my first million downloads.  From that, I calculate I've had about 60,000 listeners*.

There.  Now I don't feel quite so puny. 



*Listeners, of course, are only an approximation.  Some people download the first episode, don't like it, and then never download the remaining episodes.  Do they count as "listeners"?  After all, they listened to one episode, even if they hated it.  Others download all the episodes, then share them with several friends and family so that each download has several listeners.  And others may download several episodes but bail out before listening to all of them.  And if somebody listens to every episode of each of my 5 podcast novels, should that count as one listener or five?  How do you adjust for all this?  You can only speculate.  Which gives some justification for citing the number of downloads — at least, it's a solid figure.  But let's be clear about what it does — and does not — mean. 

Saturday, August 4, 2012

Practice Kindness

Readers, I urge you, if you enjoy an author who is not a big seller, send him or her an appreciative email.  It's the only reward most authors receive these days.  We certainly aren't in it for the money.

Here's an email that arrived this morning from a stranger who is located in Tampa, two thousand eight hundred ninety-six point one miles from my home in La Honda.  I've never met her, but her words gave me a glow that will last all week:

Thank you.  For writing and doing the fabulous podcasts of your work your books quite simply make me smile.  I love the characters who seem so real and down-to-earth, not just two dimensional or the usual caricatures, but complex, flawed and for the most part, so well intentioned. Kind of like your readers I imagine. Certainly this one. I sit down with an episode or two with a cup of coffee and the kind of sweet anticipation that these days passes for quiet excitement - from one old hippie to another, we really did/do have a lot of things right.
Bravo, please don't stop sharing your work.
I got mine.  Now try this.  Nurture some other obscure author (and these days, most of us are obscure).  With a few keystrokes you, dear reader, have the power to warm some writer's world.


Sunday, July 15, 2012

Gone podcasting...


I've interrupted my posting of 365 Jobs.  I'll get back to it in a few weeks.  Every once in a while - I'm sorry - but I have to do a podcast.  I just have to.  I've started recording a new one, and it will take a few weeks.  It's an obsessive, all-consuming project.  There's no time for anything else.

I became interested in podcasting about 5 years ago, when it was a relatively new frontier.  I'd just finished writing my novel Clear Heart and was looking for what every writer needs, the two "pubs": publicity and publication.

I ended up self-publishing Clear Heart and self-publicizing it by recording it as an audiobook to be distributed as a podcast.  I hoped that people would hear the podcast (for free) and then want to buy a copy of the book (for money). 


The podcast was and still is a popular success, but it didn't convert into book sales.  And why should it?   People listen, then they're done with the story - why read it again?

In the process, I came to love podcasting.  I love making audiobooks.  It's like a street performance with my hat out on the sidewalk seeded with a few dollar bills.  There's very little money to be made - a few people leave "tips" for the podcaster, but most people simply listen and then move on.  And that's okay. 

Five years after I started, the podcasting of audiobooks remains a relatively obscure subculture.  With the worldwide reach of the web, podcasting has the potential to reach billions of people.  One could at least dream of reaching millions.

In reality, I've reached about 60,000 people.  I'm still reaching a couple of thousand new people every month.  As a radio show, those numbers would mean I'm a dismal failure.  As a podcaster, I'm not ashamed.

For the new podcast, I'll be recording Danny Ain't.  By now I have realistic expectations.  There's no recognition by any other media.  It won't help sales of print or ebook versions.

I do it for love.  I love giving voice to what I've written, and I get satisfaction from having people hear it.  I love literature as an oral tradition, and I love being part of that tradition. 

I want to thank Evo Terra and all the folks at podiobooks.com for hosting my podcasts and for their technical help.

If you're interested, you can download my podcasts from the iTunes "store."  They're free.  Simply go to the iTunes store and search for "Joe Cottonwood."  The most popular title is Babcock, followed by Clear Heart and then Boone BarnabyClear Heart is strictly for adults.  Babcock and Boone Barnaby are for all ages.

And of course, I'll let you know when Danny Ain't becomes available for downloading as a podcast.


If you don't care about podcasts, my apologies.  I'll get back to blogging (which I love as much as podcasting) in a week or two.  Or three.  It's summer.  Let's have fun.

Friday, June 3, 2011

Four Dog Riot is fixed

On May 23 I posted a notice that there was a problem downloading Episode 13 for people in Europe and Africa.

The problem is now fixed.  All episodes of the podcast are now downloadable anywhere on Planet Earth.

If you previously downloaded Episode 13, and it ended abruptly after 5 minutes, please download it again.  It should run for 39 minutes and 47 seconds.

Sorry about that.  There was a clunky server somewhere.

It's a big job managing a worldwide empire of podcasts...

Sunday, May 1, 2011

Four Dog Riot is Complete!

Whew.  All 13 episodes are available from podiobooks or iTunes - and it's absolutely free!  I'm pleased with how it came out. 

This is a story for adults and kids age 10 and up.  Younger than that, it won't hurt them but they might not understand everything.  Then again, we tend to underestimate kids - they understand far more than we give them credit.  In fact, that's what the story is about.

If you have any problems with downloading it - and you're pretty sure the problem isn't on your end - as happened just last week - please send me an email and I'll get our crack team of experts to fix it.

I like these characters.  They have spark.

You can listen to a 3 minute preview here.

Besides myself, you'll hear the voices of Susan Walker, Caroline Graham, Patrick Bradley, and Michael Minard.  The music is by Will Fourt.

Monday, April 25, 2011

Clear Heart podcast had a glitch

A very kind listener notified me that the last 6 episodes of Clear Heart couldn't be downloaded from iTunes nor directly from podiobooks.  Meanwhile I noticed an obnoxious loud "pop" at the beginning of many episodes of the Babcock podcast.

The missing episodes are now available.  There was a problem with Libsyn, the host.  They've fixed it.

The "pops" remain.  We'll find a solution...

Wednesday, April 20, 2011

Four Dog Riot is Even More Live!

I've uploaded two more episodes of Four Dog Riot, bringing the total to nine.  I'll keep uploading one or two a week until all 13 are available.

What I love about podcasting is that you get immediate critical feedback, sometimes naughty, sometimes nice.  Here's the first review posted about the work-in-progress:
"Engaging characters as always. The world through a different lens. Innocence in transition - and very funny.  Thanks again!"—Barry b
 I like that description: "Innocence in transition."  It's the end of a millennium, the beginning of a new age, and yet some things never change - like needing a friend.  And growing up.

Tuesday, April 12, 2011

Four Dog Riot is Live!

The first 7 episodes of the podcast audiobook Four Dog Riot are now live.  For the tech-savvy, you can get them (free!) from podiobooks.com.  For the iTunes users, you can get them (free!) from the iTunes "store" by searching for "Four Dog Riot" and clicking the "subscribe" button.

For the 99% of the world who have no idea what a podcast is or how to obtain one, please consult a local teenager.

You can listen to a 3 minute preview here.

There will be 6 more episodes.  I'll have them available at a rate of at least one per week until all 13 are uploaded.

A word of warning:  You may have to grit your teeth through a jarring 30 second ad that's been tacked onto the beginning of the episodes.  I get nothing from the ads, but they help support my host, podiobooks.com. 

After all 13 episodes are uploaded, I'll make the novel available as an ebook on Smashwords.  I have no plans for a print version at this time.  This is the first work I've ever created where the music is an integral part of the story, so the podcast is really the best way to enjoy it.

And I hope you do enjoy it.

Monday, March 14, 2011

Where the heck is Four Dog Riot?

Apparently there's now a time-lag in getting things launched on podiobooks.  Maybe Evo, the genius behind the curtain at podiobooks, is taking a well-earned vacation.  Somehow I didn't get the memo.  My bad.  I'm sorry.  I uploaded the episodes last week. 

Four Dog Riot is now scheduled to launch on April 13.  It even has a facebook page

Wednesday, March 2, 2011

Practice Makes Perfect

I didn't like the preview of Four Dog Riot that I put up in the blog recently.  Here's a better one:  Preview of Four Dog Riot (click here).  It's a 3 minute mp3 audio file.

For me, the hardest part of writing a novel isn't the writing.  The hardest part is answering the question: "What's it about?"

It's easier to say what it's not about:  construction, dogs, riots.

My stories are driven by character, not plot.  How do you sum up a bunch of characters in just a few words?  The book cover (by Melody Pilotte) does a better job of introducing them.  Four kids, one guitar, and a world of change.

Tuesday, March 1, 2011

It's coming! Honest!

Less than a week.  I swear!  In less than a week I'll begin releasing episodes of Four Dog Riot on iTunes and at podiobooks.com.


Meanwhile, here's a preview you can listen to:
Four Dog Riot preview.


It's not about dogs.  Or riots.
It's not about construction.


It's about:
 stealing waterfalls,
 saving pickles,
 a beat-up old guitar.
    It's about living in a secret bedroom at the Stanford Mall.  It's about growing too big, too fast.

    Friday, February 4, 2011

    Coming up next: Four Dog Riot

    I think I've got a cover:

    The art is by Melody Pilotte.  She's captured the essence of the four characters rather nicely.  I'm still playing with fonts and colors for the title.  Everybody seems to have different (and very strong) feelings on the subject of fonts.  I like this one (it's called Chalkboard Bold) because it looks quirky, and people tell me I write quirky books.

    This weekend I'll be getting together with Will Fourt, who is my son and co-composer of the music.  We hope to finish and record the one remaining song.  It's the theme song, so I can't begin posting episodes without it.

    Hopefully - that is, literally, I'm full of hope - in a week or so - at long last! - I'll start releasing the podcast.

    And of course, I'll let you know when it's out.

    Tuesday, January 18, 2011

    Coming up next: Four Dog Riot

    Melody Pilotte is a delightful young artist with a passion for vivid watercolors.  I've engaged her to design the "cover" for my upcoming podcast of Four Dog Riot.  We had a two hour meeting over coffee at Peet's in Half Moon Bay, wherein I explained the concept of Four Dog Riot, and she came up with this napkin sketch:

    Since then, we've collaborated by email and one further meeting in Half Moon Bay, this time at Starbucks because she's started working there.  (I suspect the world of developing artists would collapse without coffee shops for both fuel and employment.)  (Matter of fact, I'm sitting in a Menlo Park Starbucks as I write this.)  (Matter of fact, Four Dog Riot takes place in Menlo Park.)

    The current state of the cover is this:


    We'll see where it goes from here.

    I'm very proud of Four Dog Riot and can't wait to release it.  Later, I'll start talking about what the story is.  Here's a hint: there are four human faces on the cover.  One guitar.  And no dogs…

    Podiobooks is down

    The podiobooks.com web site is down until Friday.  Apparently, too many of you folks have been downloading my (and other's) free podcasts.  They're upgrading the server right now.

    If you're having trouble getting your next episode of Clear Heart or Babcock or any other podcast, I'm sorry.  Please hang on. 

    The upgrade is expensive.  Podiobooks is a labor of love (in the extreme of unprofit) and depends on donations.  When they're back on the air, please think about a donation.

    Thursday, October 21, 2010

    An Interview

    I was just interviewed by Liana Burnside for a research project at Brigham Young University.  The questions were interesting...

     1. What first prompted you to distribute some of your material for free online?
    In March 2008 I read an article in the NY Times about podcasting novels, and I instantly loved the idea.  All literature has its roots in oral storytelling.  Somehow we have come to believe that only printed works are true literature, but they are merely an imitation - and sometimes a poor substitute - for oral storytelling.  My own writing has always been geared toward the sound of words, especially the extensive dialog.  I'd been writing podcast-ready novels for 40 years and hadn't known it.

    Or is the question about doing it for free?  Well, initially I thought a free podcast of the novel might entice listeners to buy the printed book.  I was wrong.  Most of them are happy just to listen.  But the podcasting process turns out to be exactly what I like about literature, so I'll continue even without making any money from it, although - ahem - I appreciate the occasional donation from the occasional grateful listener.

    2. When writing your novel Clear Heart, did you know you were going to turn it into a podiobook? If so, how did that affect the writing process?
    I had completed Clear Heart just before I discovered podcasting, so the writing was intended for print.  Reading aloud, of course, is a great editing tool, so the writing became better as I prepared the podcast.

    Currently I'm producing a podcast novel that is strongly influenced by my podcasting experience.  It affects the story in several ways - most obviously in my use of music which I incorporate into the plot.

    3. How have you promoted your work? In addition, what sort of online networking have you participated in?
    I suck at promotion.  It doesn't fit with my personality.  I have a blog and a website.  Sometimes I comment on other people's blogs.  I do a few internet radio interviews.  That's about it.  Eventually, the podcast itself is my best promotion.  Without any publicity, my downloads increase every month.  People find me through word-of-mouth recommendations.

    4. You offer a few of your books in both audio and print versions. Do you feel like the different versions offer different experiences? Is one superior to the other?
    I want both versions to be good, and I try hard to make it so.  And yes, of course the experiences are different.  Listening to a podcast is an incredibly intimate experience.  My voice is literally inside the listener's head - inserted through ear buds.  People won't allow that kind of intimacy for long unless they really like you - so I have to be as good as I can be.

    5. What is your primary motivation for writing?
    Creating characters and bringing them to life.  Creating my version of the world.  A kind of birth.

    Thank you again for assisting me with my research.

    Interesting questions, Liana.  A pleasure.

    Wednesday, July 14, 2010

    Lit Night at Sullivan's Pub

    Caroline Graham, one of La Honda's talented teens, joined with me at the most recent Lit Nite to read a few passages from a novel of mine, a work-in-progress that might have the title Jesus at the Mall or perhaps Wormheads.  We'll record it as a podcast later this year.  (Copyright © 2010 by Joe Cottonwood.)
         Jaz Lee hung up the phone and saw that her mother was staring.     “Who was that?” Linda Lee asked.
         “Hoot.”
         “Hoot?  He’s a bird?”
         “No.  He’s a kid.”
         "Does he go to your school?”
         “Yes.”  For some reason, Jaz felt herself blushing.
         “Is he a nice boy?”
         “He collects waterfalls.”
         Jaz knew she was turning bright red.  Trying to avoid her mother’s probing gaze, Jaz swept her eyes around the kitchen — and noticed a shiny white toaster.
         “What’s that?”
         “Oh.  I got a new toaster.”
         “You what?”
         “It was broken, Jasmine.  So I got a new one.”
         “Couldn’t we fix it?”
         “Jasmine, you don’t repair toasters.  You replace them.”
         “But we had that toaster all my life.”
         “You want it, Jasmine?  It’s in the garbage.  You can keep it in your room if it’ll make you happy.”
         “Mo-ther.  That isn’t the point.”
         “What is the point?”
         “The point is you got a new toaster.  And it’s white.  Toasters are chrome.  We’ve always had a chrome toaster.  All my entire life.  How could you?”
         Linda Lee sighed.  She folded her arms.
         Jaz recognized the expression on her mother’s face, the grim forbearance.  She’d known that look all her life.  It was reassuring, somehow.  Cozy and constant.  Like an old Christmas carol.  And Jaz was being unreasonable; she knew the toaster wasn’t the issue — and so did her mother who was asking, "What are we talking about, Jaz?  I mean, really."
         "Nothing."
         "Did somebody die?  Is it about death?"
         "Nobody died, Mom."
         "Then what are we—"
         The phone rang.
         Jaz answered.  “Hello?”
         “It’s me.  Hoot.”
         “What do you want?”  It sounded a little harsher than she intended.  But she didn’t know how to take it back.
         “Is there a Hair Nebula?”
         “God, Hoot.  I have no idea.”
         “Well, I just painted one.”
         “What are you talking about?”
         “I thought you knew about nebulae.”
         “Well I don’t know all their names.”
         “Oh.  Okay.”
         He hung up.
         Jaz stared at the phone in her hand.
         Her mother was watching.  “Who was that?”
         “Hoot.”
         Linda Lee was shaking her head, smiling.  “So now boys are calling my darling daughter.”
         “No they’re not.”
         “Oh.  Excuse me.”
         “We were just talking.”
         “Right.  Absolutely.”
         Jaz watched as her mother went to the refrigerator and took out a gallon jar of pickles.  Removing the lid, she started fishing with a pair of tongs for the last kosher dill.
         “MOTHER STOP!”
         Linda Lee looked up.  “What?”
         “Don’t take that pickle.”
         “Why not?”
         “It’s the last one.”
         “You want it?”
         “No!”
         “Then what—?”
         “If you take it, they’ll be gone.”
         “We can buy another jar.”
         “That isn’t the point.”
         “What is the point?”
         “The point is that’s the last pickle.  And if you take it, they’ll all be gone.  Forever.”
         "Okay, now I get it."  Her mother put the pickle jar back in the refrigerator.  "I understand."
         "You do?"
         “You’ve got a birthday coming up.  Fourteen."
         "So?"
         "You're ambivalent."
         "Ambivalent?  I don't have a choice."
         "Precisely.  Even the late bloomer has to bloom.  But I can offer one choice.  Of course I like to surprise you but I’m just wondering:  You want anything in particular?”
         “Yes.  A … ring.”
         “Any old ring?”
         “A navel ring.”
         “From the navy?”
         “Na-vel.  With an e.”
         “Jasmine?  Is a navel ring what I think it is?  Is it something you put around your belly button?”
         “Actually, I think it goes through the little fold of skin just above.”
         “Through?”
         “Like, pierced.  You know.”
         “I’ll have to talk this one over with your father.”
         “That means no, doesn’t it?”
         “Why do you want a navel ring?”
         “Because … Mimi Bucher doesn’t have one.  She wouldn’t have one.  She’s too cute.  She’s bought.”
         “She bought what?  Who’s Mimi Bucher?”
         “She’s somebody who would never have a navel ring.  Now do you understand?”
         “I’m not sure I like this idea, Jasmine.”
         “There’s a shop that’ll pierce it but I have to get parental consent.  You sign it.  A form.”
         “I don’t know, Jasmine.  I don’t know how sanitary this is.  And more than that, I don’t know about the idea of putting rings in a place like that.  I’m not sure you understand how it might seem.  How it might look.  To boys, I mean.  You never let me talk about this, but you’re becoming a young woman.  Boys are starting to notice and we need to talk about—”
         “No no no no no no no no no no no no no no no no no no no no no no no no no!”
         Jaz opened her eyes, unplugged her ears, and saw that her mother was standing with arms folded, fuming.  “I understand ignorance, but I cannot tolerate willful ignorance.  Read the book.  That book.  WILL YOU PLEASE READ THE BOOK I GAVE YOU?”
         “Will you ask Dad?  About the ring?”
         “Yes.  We will definitely talk.”
         “Thanks, Mom.”
         Jaz danced a little jig step that took her right out of the kitchen and up to her room and her cat and her stuffed animals on a shelf all in a row.
         Jaz sat on the bed.  Her eyes caught sight of the book her mother had given her — Our Bodies, Ourselves — which she’d never read, which she didn’t need.  She’d learned all that stuff back in third grade, and she wouldn’t get pregnant.  Not the first time.  You can’t get pregnant the first time.  That's what she learned in third grade, and the facts don't change.  And after that first time, if you don’t want to get pregnant, all you have to do is hold your breath while you do it.  Nobody ever gets pregnant if you hold your breath.  Facts don't change.   They just don't.
         Jaz opened the Oxford Book of Christmas Carols, then set it on her chest as she lay back.  She hummed The First Noel.  She made up better words.  Softly she shared the carol with the stuffed animals she had played with, the cat she had loved, the room where she had lived all her whole entire life.
         *****
       

         *****

        Jaz peered in the eyepiece and adjusted the focus knob.
        “Here, Hoot, take a look.”
         They were in Jaz’s back yard.  Light streamed from windows.
         Hoot bent to the telescope.
         “See ’em?”  Jaz asked.
         “I see a bunch of stars.”
         “Those are the Pleiades.  The Seven Sisters.  Except with magnification you can see more than seven.  Can you see haloes?”
         “You mean they’re angels?”
         “The stars.  Each Pleiad.  They have haloes.  Sort of bluish white.  Can you see?”
         “No.”
         There was too much light in the yard.  Jaz wished they could go somewhere out in the country.  Somewhere dark.  With the stars.  Alone.  “The haloes are dust.  Reflecting starlight.  On clouds of dust.  Which are nebulae.  So you’re looking at haloes which are dust clouds which are nebulae.  Young ones.”
         “Huh,” Hoot said.
         “You know what?  The light that you’re seeing — the light that’s going into your eyeballs right now — that light left those stars years ago.  Years and years.  The light that's in your eyes might have left those stars when Jesus was alive.  And so right now Jesus is alive in your eyes.  And mine.  That is, if you care about Jesus.  Do you care about Jesus?"
         "He's all right."
         "I'm sorry I shouldn't have talked about Him.  But the light that’s starting its journey from those stars right now won’t come to our eyeballs until you’re an old man.  And I’m an old woman.  Or maybe we’ll be dead.  Maybe centuries will have passed.  But those stars will still be young.  Isn’t that awesome?”
         “Uh.  Yeah.”
         “You really think so?”
         “Yeah.  Awesome.”
         The night was cool.  Jaz could see her breath.  There was something electric in the air that had made Jaz want to call Hoot and invite him to look at stars.  She could hardly hold still.  Didn’t he feel it?  He seemed almost bored.
         Jaz tried to explain:  “It’s so big.  So … vast.  Does it make you feel insignificant?”
         “Sort of.”
         “Not me.  I love it.  I love the, the bigness of space.  It makes me feel all tingly all over.”
         “Tingly?”
         “Yes.  Tingly.  Because I’m a part of it.  Whatever I do here on this planet affects what happens on the Pleiades.  Because everything’s connected.  It’s the Butterfly Effect.  Because what happens to a butterfly affects the whole—”  As Jaz was speaking she cast her hand in a wide circle around herself to indicate the whole of the universe — and struck somebody’s shirt.
         Her father.  Standing behind her.
         “Daddy!  What are you doing here?”
         “I just came out.”
         “Why?”
         “To check on things.”

         “God, Daddy, you could give me a little warning before you go sneaking up on —”
         “I wasn’t sneaking, Jasmine.  I just walked out the back door.”
         He just walked out the back door in time to hear her say she felt tingly all over.  Tingly.  Of all times.  And the only reason he would want to check on her would be because there was a boy with her in the back yard as if — as if she were the kind of girl who would need to be checked on just because she felt tingly all over.  God.  How humiliating.
         “We were looking at the Pleiades,” Hoot said.
         “That’s nice,” Mr. Lee said.
         Her father had eyeglasses.  A big nose with hair hanging out.  Why didn’t he trim it?  Ears with more hair bursting out.  Disgusting — and it was all black.  Black body hair.  God.  What Hoot must think of her, to have such a father.
         Hoot said, “Jaz told me you were a mathematician.”
         “That’s right,” Mr. Lee said.
         “I’m trying to understand the Theory of Relativity.”
         “Good luck.”
         “Do you understand it?”
         “Pretty much.”
         “Is space really curved?”
         “In layman’s terms.”  Mr. Lee rubbed his big nose, thoughtfully.  “The question is:  Curved as compared to what?”
         “You mean a curve is relative?”
         “Everything is relative.”
         “Cool!”
         “Daddy,” Jaz interrupted, “you can go back inside now.”
         “But this young man wants to talk about relativity.”
         “No, he doesn’t.  He’s just being polite.”
         “No,” Hoot said.  “I’m really interested.”
         “Ah.”  Mr. Lee smiled.  “There.  You see?”
         Jaz saw.  Hoot would rather geek with her father than with her.  She stomped across the yard and into the house.  Behind her, she heard Hoot asking a question and knew without looking that her father was rubbing his nose back and forth with his finger, thoughtfully, smecking the big nostrils and those horrible hairs back and forth, back and forth.
         She slammed the door.
         Her mother was at the kitchen table grading papers.  “What’s wrong, Jaz?”
         “I invited Hoot to come over and look at nebulae and now Daddy’s out there talking about mathematics.”
         “Math?  Your friend must be bored to death.”
         “No.  He’s interested.”
         “Well if he’s trying to make a good impression on your father, he’s certainly on the right track.”
         “He’s not faking it.  I don’t think Hoot fakes things.”
         “He seems like a nice boy.”
         “God, Mother.”
         “What?  What did I say?”
         “You’re always saying.”
         “Saying what?”
         “Judging people.”
         “All I said was he seems like a nice boy.  Jasmine.  I talked it over with your father.  We think, the ring, not yet.”
         “Then when?”
         “Later.  When you’re older.”
         “I need it now.”
         “Nobody needs a navel ring, Jasmine.”
         Mr. Lee came in the back door rubbing his nose and said, “He seems like a nice boy.”
         Jaz made fists, clenched her jaw, swallowed a scream, and ran out to the yard.
         Hoot was gone.
         She ran to the gate.
         Hoot was walking down the street toward home.
         “Hoot!”
         He turned.  “What?”
         “I’m sorry.”
         “Hey.  It was fun.  Let’s do it again.”
         Then he turned and continued walking.
         Jaz slammed the gate shut.
         Somewhere on the other side of the universe, butterflies were trembling.

    Monday, May 17, 2010

    Symbionese Liberation Army! Holy F***!!!

    This morning at 5 a.m. after too little sleep I awoke with a jolt and the thought: "Symbionese Liberation Army!  Holy fuck!!!"

    Probably not too many other people can say that.  Anyway, what it means is that in my subconscious dream world the neurons finally clicked, and I realized that my novel and podcast of Famous Potatoes make a reference to the Symbionese Liberation Army, which didn't exist until 1973 and didn't become nationally infamous until 1974 when they kidnapped Patty Hearst. 

    In my podcast description, and in the ebook edition, I state that the events of the novel take place in 1971.  Actually, the story covers more than one year, and one of those years obviously has to be 1973 or later.  I'll correct this in the podcast description and in the ebook blurb as soon as I can - which might take a few days for the changes to percolate through all the various servers out in the internet world.

    Most of Famous Potatoes is based on, or at least inspired by, actual events in my life which took place in the years 1967-1971.  Billie, the character who mentions the SLA, is somebody (name changed) I met in 1970.  Obviously the real "Billie" couldn't have mentioned the SLA because it didn't exist back then, but the fictional Billie could because, hey, this is fiction.  I wrote the novel in the years 1974-1976.  Hence my confusion when, 35 years later, I wrote the podcast description and ebook blurb.

    And by the way, isn't it time for a revival of the SLA?  They were hilarious - and murderous.  Naive - and despicable.  Nuts with guns, not too different from what we have today in certain groups making the news.